minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

reissue of album from 1975/a satisfying dramatics collection that includes their revised, campy version of me and mrs. jones, which had remained a staple of their live shows. astrology was riding high in the mid 70s, and (i m going by) the stars in your eyes provided fodder for astrological discussions as the guys poo poohed the differences in personality traits associated with the signs. a good balance of fast and slow tunes helps make this album a winner. good things dont come easy and never let you go are two frantic dancers that chug along faster than a speeding locomotive, while trying to get over losing you succeeds in treating losing your lover in a positive, uplifting way. the guys must have been loaded with material to keep this one off a 45. likewise for the aching, painful i cried all the way home, one of tony hesters best compositions, and easily the best ballad on the album.

in contrast to a recurring theme of uninviting releases by labels that seem to offer tracks- so easy to digest they get lost with an un-inspiring and flat feel, the collaboration of hermanez and ramom tapia is a coupling of dark moods and techy deepness, listen even deeper and you?l find a wealth of detail stuffed full of mythical rides push an organ into a dark corner and have it brutally assaulted by a groove-hungry gang of latin approved drums and the outcome is pretty much that of miconns second release. syncopated sturdy percussion and hi hats sit amongst a spring-loaded beat whilst lazy organ keys relax the pace

fine arranged melodies from multiple sound sources, as stated in his biography, are the building blocks of which daniel mehlhart considers to be the essence of good music. putting what he preaches into practice has affirmed the 22-year-old swiss born, frankfurt am main resident, as one of the most exciting new talents in the underground tech-house movement. his most acclaimed release was the harp-tinged origami, released last summer on kindisch, which catapulted him into the record bags and charts of a slew of seasoned djs during the end of last summer. >scharade< is an example of young daniel sticking to what he does best, mixing and blending techno. atmospheres and sonic images while still animating an organic and natural vibe over the tracks. liberal amounts of percussion and a middle eastern or asian vocal dramatically pitched this tune beyond recognition watermark with a style and a vibe that he has helped to advance. the house roots of >distracted conscience< are present right from the onset. using a double pump kick to inject a pinch more of energy into the already flourishing habitat of off-kilter and spooky sound effects. so many in fact it is easy to see how he came up with the name, >distracted conscience<, as there are more effects floating around in this track than thoughts in the head of an 8-year-old who forgot his daily dose of ritalin. he turns to an ethnic vocal on >alura< again, but keeping the overall mood of this outing a bit deeper. he pulls out even more percussion instruments including extra shakers, toms and bongos all marching along harmoniously. this is a head down, hands-up, side-to-side bopper that just keeps quietly elevating as subtle elements are added and subtracted throughout the duration of the tune. a coherent composition and dj tool all in one. although this is his second release there are no signs of a sophomore slump anywhere in site, as daniel mehlharts talent lies in his unique, but subtle ability to gel different eleme

serialism continues to deliver superb electronic dance music with queen atom? debut ep. outta is a journey through mental, dark and deep soundscapes yet funky and harmonic, generally different from the whole vibe of nowadays minimal music. ?orror fest?is a unique piece that combines old school, long, hypnotic grooves, with fresh and innovative sounds, rainy soft synth tones and warm atmospheres reminding as a result of classic new wave techno from the 90s, mixed up with the freshest and avantgarde sound of the present. on the flip me2 and phlanoptik close the ep in a very stylish fashion.more percussive, more dancefloor, driven by a un-typical order that makes those two, special tunes for collectors. serialism bring us another release for the music lovers, perfect for after hours mood but also easy to listen at home.

a new beginning is always an euphoric and scary step towards the unknown. the euphoria comes right after the original idea, when first signs of feasibility are shown. then comes reality. i think that nobody is able to eradicate reality (or what a common society sees of it) out of his mind, though art allows us to escape temporally this fiction. its not an easy task to achieve and artists hold in their hands, intellects, souls and guts a great responsibility. terpsichór? will be a support that transfers this responsibility to others: the artists, the public, the crowd, the souls, the dancefloor

groove with a solid leeding joking synt. easy to use, strong on the dancefloor!

rezkars fascination with music began with his parents record collection. listening to local radio stations as a child, he heard 80s tracks. as an adult he discovered the magic of 60s and 70s jazz and funk. one day, his cousin played a track that he immediately fell in love with. he later learned that this was house music. he discovered the fruity loops sequencer software and thought, why not try to make my own tracks, after all, it cant really be that hard? deep house can sound deceptively simple. its a bit like japanese anime, rezkar says. it looks so cute and easy to draw, but try to actually draw it, and you will discover its even harder than realistic drawings. the thing about house is that if you try too hard it can come across as being very cheesy, but then again, if you dont do enough it can sound incomplete. finding the balance is not easy, rezkar admits. after hearing his music, one finds that he is learning this lesson quite well.

for windos or mac users, great tool to create easy your owm mix on harddisc

scaring us all the way from sofia, bulgeria spatula city is proud to present to you the technologically advanced technique of the one like the kink. snapping off his first spatula city release with three dancefloor scorchers, this record is not to be missed. jigga is just a straight up bassline balancing act that just drives. on dat funk and check he collaborates with eclectic vocal stylings of austin, txs j.a.m.o.n. both tunes are jump up flex on the floor devastators. kinks techy vibe and robotlike control over j.a.m.o.n.s vocals creates a sound unlike any other artist in the scene. his tech savvy jack infused style cannot be compared to. just when you think one of these tunes is going off the deep end, it turns around and jacks you right in the face! and...just for funks we had kink add two accapella tools which are super easy to mix and sound great over any jackin beats.

4th album from the doors, originally released in 1969, now back on vinyl.

easy way to show 5 records on your wall.

legendary 1978 album by bob marley & the wailers re-released on 180 gram vinyl

supported by: tom stephan, jerome sydenham, noir, atle, djuma soundsystem, patrick bateman.. we wanted to try something new. to let an outside artist provide the main track. the choice was pretty easy – it could only be danish sensation jack rock. he has been killing the big stages all over northern europe with his technically demanding live-sets. a university background in sound theory and interactive sound design means that his productions of post-minimal techno are brimming with interlacing tones and harmonic elements.

1st deeperfect label compilation feat criminal vibes, steve aguirre, anfunk and paul darey & marc flaque

massive techhouse 2 tracker!!

remixes by amo & navas and oliverschmitz & les schmitz played by: eric prydz, tocadisco, matthew dekay, seb fontaine, mark knight, john acquaviva ,… les schmitz, julio navas and david amo joined forces last year to create a big release with two super tracks positive and negative. after this great hit on the danceflors this artists make 2 fantastic remixes >amo & navas rework 2008< and >oliver schmitz & les schmitz redux<. amo & navas rework 2008 was a huge track that had incredible power of attraction, easy sounds and lot of magical grooves to move your body on the dance floor and an incredible build up that brought you to the top

support by 2000 and one, matthias tanzmann, daniel stefanik, anthony collins...on our easy-rider, not only the wheels, also the raver s are burning. back on the house-highway, the journey leads through the a1 district of the ‘wild coyote’ who sneaks up on velvet paws to turn into a grown 4/4 fox by dusk. after this impressive encounter he call out for ‘dixies diner’ because the outlaw mesteno knows one can not nourish on ‘tossed to’ women slip s alone and orders a warm a2 menue to collect strength to chase the horizon with ‘full throttle’ again on the b1 side.

the 9th album by one of the biggest stars today, produced by madonna and mirwais ahmadzai.

dennis ferrers the world as i see it album is still being listened to and its tracks are still being played, hence the remixes are gonna keep on comin… one of the most memorable tunes from the album, run free, is seeing remixes by 2 very distinct and quality remixers oddly found at opposite ends of the earth. uks sean mccabe debuts his talent for king street after having had past remixes and productions released on soulfuric deep, fluential, device, soundmen on wax, tony records and more. his chunky beat-filled interpretation of this single has a tough enough bass drum and nice enough funky key jabs as to keep the great energy flowing but not overpower the song. japanese-nyc transplant producer tomo experience grooves and soothes the eardrum. his easy kicks and lightly bouncing bassline puts a nice spin on this tune, all the while kt brooks (r.i.p.) fervent vocal laying atop the 2 re-product ions. check out these cool remixes for great measure and greater flow.

another quality dmx krew masterpiece we at turbo are longtime fans of dmx krew, so its a real honor to work with him again 6 years after his last contribution to our now defunct sub-label white leather. we dont normally trace an artists history or include much biography in our press releases, but we feel the need in this case to pay our respects to a long and brilliant career. with all the crap that gets paraded around nowadays its easy to forget who the real masters are... ed dmx is one of them. ive always held a soft spot for ed, he was one of my favorite producers in the proto-electro heyday. hearing his live version of the knight rider theme at sona (tigas club circa 96) was (believe it or not) a revelation. of all the artists id met up until then, he was the coolest, he could play synths better than anyone id ever heard, he had the balls to do vocals in his live-set but he was a sweet, softspoken, and super funny guy. for reasons ive never understood, eds pop side didnt seem to take off and for awhile things took a distinctly experimental turn... interesting stuff, but a departure

this is quite simply one of the most glorious records you will hear this year. it would be easy to lazily reference it against classic period rephlex/planet mu stuff (oops, i just did!), and indeed it appears to share some of the same heritage (even going so far as to feature a remix of rephlex artist global goon in its tracklisting) - but chris leary aka ochre is obviously a man on his own mission. gorgeously lush, but at the same time super-funky…as electronic as kraftwerk starring in a remake of tron, yet somehow as pastoral and organic as edward elgar…much like his label-mate ed chamberlain, leary manages that tricky task of being supremely technical in his programming and arrangements, but without losing the heart and soul of the music amidst all the studio trickery. you know that old chestnut often said when referring to vintage or classic music, >they dont make them like that any more<? well they do…and here it is! simply fantastic.

the 1987 debut album by us rockers guns n roses! includes welcome to the jungle, paradise city and sweet child o mine!

classic stones-album, digital remastered!

rmxs by matthias tanzmann & patrice bäumel + 2 booka shade versions

supported by, carl cox!!, john digweed, dj remy, dave seaman, sander kleinenberg, dj preach, mark broom, spiros kaloumenos, renato cohen, cristian varela… its time for some risky business: lets play bryzant games! in his typical easy-going and open-minded, limitless way, definition records label boss christian fischer strikes back by nonchalantly pulling out a brand new installment of his definition of maximum sound of his sleeves. freely exploring the outer limits of the electronic music universe with his new long-player, it is up to you where you want to take it: to the floor or to extremes! you choose! whether you prefer techno, electro or minimal, ranging from powerful floor tunage to melodic meltdowns, bryzant games has it all.

king matthew & bass d remix*the viper, the legendary hardcore deejay and producer. the viper, also known as melvin pelupessy, bought his first pair of turntables in 1988. success never came easy, he had to work his way up the proverbial ladder and pay

supported by dubfire, davide squillace, rino cerrone, mark henning, mihalis safras. naples based artist gianni pellecchia, well known for his releases on loose or minisketch, with his first solo ep on bauns music onda tape has a deep, liquid atmospheric feel. the lead bass rotor and the easy rhythmical line of muler creates a sonoric winding which culminates when a darkness laugh sample breaks off the pause to restart shaking heads. powerful! allergico is a well done example of drum embedding and sound de/construction. a funky techno bay with coloured melodic reefs! mnemonic has an excellent hypnotic minimal groovin tech style, organic beats meets mindsweeping melodies, and the dark laugh crosses the reef again. a pure dope for your escaping from chaos. thats onda tape!

like many of us over here at bear towers, giorgio sancristoforo aka tobor disco experience has an unhealthy interest in the 1970s - the instruments of bob moog, vocoders, alan parsons - the cult sci fi series space 1999 - and here hes used the decade as a sonic palette to create the kind of ep that gets the whole office (ie: both of us, on pcs at home, occasionally) sitting up and listening. opener disco moog has already been used on our rools for rules compilation earlier this year and had many beards twitching at the prospect of forthcoming vinyl. shooting star is a more uptempo affair with blissful chords, slap bass, disco handclaps and gios trademark vocoder. i feel loved is a personal favourite of stevie kotey with anthem written all over it. this awesome clavinet workout has such a good vibe about it you cant help feeling nothing but loved. it could easy be mistaken for alan hawkshaw super rare bruton library track.

great detroit infected tracks by ronny krieger aka di indicator (sandy records, kanzleramt, tresor)

supported by, carl cox!!, john digweed, dj remy, dave seaman, sander kleinenberg, dj preach, mark broom, spiros kaloumenos, renato cohen, cristian varela, and many more it s time for some risky business: let s play bryzant games! in his typical easy-going and open-minded, limitless way, definition records label boss christian fischer strikes back by nonchalantly pulling out a brand new installment of his definition of maximum sound of his sleeves. freely exploring the outer limits of the electronic music universe with his new long-player, it is up to you where you want to take it: to the floor or to extremes! you choose! whether you prefer techno, electro or minimal,ranging from powerful floor tunage to melodic meltdowns, bryzant games has it all. exploring the multi-colored hemispheres of electronic dance music, christian, sounding stronger and more confident than ever, achieves the remarkable accomplishment of leaving behind stylistic conventions and pigeon-holing in favor of total musicality.

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

sharon jones & the dap kings gelten zurecht als die soul und funkband unserer tage. nach erfolgreichen zusammenarbeiten mit mark ronson, amy winehouse, kenny dope gonzales (maw) u.a. erscheint im herbst ihr neues album, 100 days, 100 nights! sharon zeigt sich darauf so soulful wie nie und die dap kings grooven momentan so oder so alles in grund und boden. im ergebnis irgendwo zwischen sensation und meilenstein!

nice price deal !!! this new release on plug-in deliver us again 2 very quality jumpstyle and dancefloor tracks easy for all. the this love track is already a hit played by the majority of the djs? welcome carnaby on the well-known plug-in records label !!! (the official major bryce & paradise import records label).

support by djinxx, jichael mackson, tobias becker, pelle buys, rulers of the deep, dave mothersole, laurent garnier, leandro gamez, james talk… gedankensport signed a new amazing artist for you. with his sense for minimal techno and house arrangements he bursts every brain, because he will start the real sport of thoughts in your mind. christopher rau, who came in contact with electronic dance music in 2004, produced three poetic minimal housetracks reduced to some kind of essential form of electronic music. a: gribuntal: this track is pure minimalism. based on this monotone organ chord that seems to make you insane during the nearly eleven minutes, there is kind of tropical feeling, too. the easy tribal percussions put this track in warm, windy and relaxed beach surrounding, nobody wants to leave..

after his title >beats in the mist<, on the first part of the double publishing religio.audio005, there is now the full variety by mr. ferlin hearable on the religio.audio009! according to the motto of the record, >monday morning sights< presents three easy techno-like and charming original tracks plus one precise muscle relaxing remix by hammerschmidt & lentz. of course, in spite of the name of the title, this record works even at other days/nights of the week. with a light taste of mediterranean and a special musical liveliness the sardinian, living in berlin, opens the indoor club season. this is for everybody, who likes to get dumplings with vanilla sauce on monday morning!

originally released in 2000!! grab your copy now!!

played by ricardo villalobos , mathias kaden, mark broom, m.safras, format b... playmobil striks again, and you know this is not only for the little boys! liberto and mihalis safras are already well known names in the minimal scene and on this record you can hear why. misa is a beautiful building track with an easy intro followed by a melody of bleeps and sounds. it grows steadily into a mayhem of synths, bleeps and clicks. all the way back in the breakdown and then it drops killer! on the flip you will find stunnaz remix by zahn known from his recent succesful releases on enemyltd. a track ful of bass, the neighbours will definitely like this one! the original of stunnaz on the b2

jay haze ganz minimal, unter strom, aber cool

1998 classic including all the big tracks as sexy boy, all i need, kelly watch the stars...

strong limited different colored vinyl. only 500 copies! support from solomun, fabrice lig, aruba, pawas, seva k, laurent garnier, subsky, estroe, da funk, art bleek, of norway, cuetec and many more. on night drive music, pianist, songwriter and producer danya vodovoz presents a very nice mixup between techhouse and deephouse. his sense for arrangement and sound made him produce seven sampling cds for ueberschall, including the highly successful rhodesattacks, easy listening and brazil electro. signing to peppermint jam in 2001, he released four 12 inches and co-produced 3 tracks on mousse t.s first album gourmet de funk

go hiyama has risen quickly to a position of international respect that few japanese techno producers can match. from his debut release on james ruskins coda label to his recent surgeon remixed single geometrical he has attracted continuous support from oscar mulero, james ruskin, surgeon, gayle san and many other djs at the cutting edge of techno. his sound is powerful but with an intricacy and ear to detail that shames most of the loop techno from a few years ago. for his first perc trax release he delivers 2 slices of powerful, detailed modern techno that follow on perfectly from geometrical. for the b-side remix perc trax is proud to have a deep dub techno mix from norman nodge. norman is resident at berlins infamous berghain club and the only producer apart from marcel dettmann to record for marcels own mdr imprint. norman has also just released the well-received track native rhythm electric on ostgut ton, which also featured on dettmanns recent berghain 02 mix album. as a dj, norman moved to his berghain residency after organising parties in easy germany, now as his production career flourishes he is starting to make his mark on the international circuit. this is normans first release on a non-german label and is a real coup for perc trax

locker easy hoodes sweater

locker easy hoodes sweater

locker easy hoodes sweater

locker easy hoodes sweater

classic 2005 album!!!

played by loco dice, dubfire, shinedoe , carl cox, tiefschwarz, magda, luna city express, martin landsky, lauhaus!! emerson and dubnitzky have teamed up to release for kiddaz.fm already where they delieverd the amazingly received billionaire bass club ep and an overwhelming remix of flinschnnielsons korea tabs,.... now they teamed up again during this hot summer and it turned out to become a monster heavy house ep.... with gentle one and go with the flow both beeing wonderful bassheavy tech house productions nick curly who runs the cecille label and produces some of the most amazing music around at the moment delievered a great tooly remix. his sound has been incredibly well received lately and is finding favour with artists like richie hawtin or loco dice. he delievers a wonderfully enlightening rmx of gentle one with a great never ending easy house groove and great simple chord and vocal snippet work

it hasnt been long time ago since the last coup made by clark and schatz hit the streets but highgrades head-honcho tom clark and the true berlin talent markus schatz allready go for the next round. the original version of >hot choc< makes the start - playfully swinging, the track developes itself into a masterpiece of an easy going groove without being half bad. the french dj and producer tom pooks - well known for this productions on ovum, kompakt and other wellsounding imprints gives >hot choc< a whole lot of jacking energy to take along. he sets the percussive elements free - and rightly so! punch meets hypnotic deepness - perfect! with the hot choc re-edit on the flipside by markus schatz he eventually letting the cat out of the bag. without any detours and in best daniel bell-like mannour he jump into a real inferno made of funky bleeps and weird sounds. delivering with this one more than just another highlight on this release - because last but least it’s the best evidence, you gotta reckon with these two!